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Friday 08/31/2001 7:48:43pm |
| Name: |
Maggie Birge |
| E-Mail: |
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| Homepage Title: |
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| Homepage URL: |
http:// |
| Where are you from?: |
Owensboro, KY |
| Referred By: |
Michael Inspired Me |
| Comments: |
Since I've been traveling so much this week I
took along some of my favorite cast CD's to listen to in the car. Enjoyed it so much I
brought two of them, 1776 and Camelot, to work with me today. I've been listening to them
this afternoon and once again have been amazed at the contrast between these two shows
when they were made into movies.
1776 kept most of its stars--most notably, William Daniels, Howard Da Silva, and Ken
Howard--and when I watch the video each summer on or around the 4th of July, I marvel at
how wonderful these actors are. Who would ever have thought of them as movie stars at that
point? Daniels had been Dustin Hoffman's father in The Graduate but St. Elsewhere was a
few years off. Ken Howard had yet to star in The White Shadow, and Howard Da Silva was
just one of many competent supportng actors in the days of the Hollywood studio system
(most memorably the bartender in Lost Weekend). Yet there they are on the big screen,
recreating their stage portrayals of John Adams, Benjamin Franklin, and Thomas Jefferson
so wonderfully that I can't imagine anyone else in those roles. I thank whoever made the
decision to use them in the movie from the bottom of my heart. For all time now I can
experience what Broadway audiences did when they saw them in this 1969 Tony award-winner
for Best Musical.
Then there's Camelot. What was so absolutely right on the stage was terribly wrong in the
movie. Just now I'm listening to Robert Goulet sing If Ever I Would Leave You. What a
voice...the hair is standing up on my arms! And was he ever gorgeous in those days. Still
pretty good looking but the combination of his voice and looks could turn your knees to
jelly back then. Richard Burton was magnificent as King Arthur. This was before Liz Taylor
and he was at the height of his acting powers. At that point in time he could have
captured an audience just by reading the phone book. And, of course, there was Julie
Andrews. For her, the movie version of Camelot must have been like being raped twice.
Hollywood did it to her with My Fair Lady and then turned around and did it again with
Camelot. What a pale and pathetic imitation the movie was compared with the awesome
Broadway cast. Even Hollywood's darling, Roddy McDowall, was overlooked; his role went to
David Hemmings. I don't have the production information handy so I'm not sure who was
responsible for the bad decisions. I know Josh Logan directed it and we know what he did
to South Pacific.
Sorry for such a long post, but I get both very angry and very sad thinking about these
two shows. One got the film treatment it deserved and the other one didn't. Phantom of the
Opera is threatened with the same fate as Camelot and that makes me furious. If this show
had been filmed ten years ago, as originally planned, most of its story, music, and cast
would have been preserved on film. We would still be enjoying it to this day and Andrew
Lloyd Webber and Warner Bros. would still be counting their profits! |
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