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Monday 04/02/2001 3:07:34pm |
| Name: |
Maggie Birge |
| E-Mail: |
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| Homepage Title: |
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| Homepage URL: |
http:// |
| Where are you from?: |
Owensboro, KY |
| Referred By: |
Michael Inspired Me |
| Comments: |
If there is one thing I hope comes across in
the final movie, it's Erik's humanity. Some previous plays and films have concentrated on
his evil side, but this character is much more than just a monster. I am convinced Andrew
Lloyd Webber understood this when he chose to emphasize the romantic side of the story.
And when he cast Michael Crawford, he chose the perfect actor to convey Erik's yearnings
and pain to the audience.
I am also one of the unfortunate souls who did not see Michael Crawford in this show. I
have only seen him in concert, but when he performed the songs from POTO I had a glimpse
of what his portrayal must have been like. Without the makeup or the mask, without the
scenery or props, with just his voice and elegant movements he swept his audience away
with the passion he poured into the music. When he finished each song, there was a second
or two of silence before the audience reacted. It was as if we all needed that brief
moment to snap ourselves back to reality. Then it began...the applause, the cheers, the
whistles, the "bravos" and the entire crowd on their feet giving back the
emotion they felt to the man who had created it in them.
My greatest fear about the POTO movie--other than not having Michael Crawford cast in
it--is that whoever does star in the film will simply go through the process of acting a
role. With Crawford you get so much more. It's as if he and the character of Erik really
do become one and the same. It's pure, honest emotion, not just an actor playing a part. I
don't know how he does it, but he actually seems to inhabit Erik's skin. That is what I
believe made POTO so successful to begin with. Erik seemed so real and audiences
understood his feelings.
When Phantom comes to the screen it can either be all window dressing with no depth, or it
can be a feast for the soul as well as for the eyes and ears. In the hands of a less
experienced actor, Phantom can become a laughable melodrama. With Michael Crawford in the
lead, it can (and will) be a thing of beauty. His passion will reach out from the screen
just as it did from the stage and he will place movie audiences under his spell just as he
did the people who saw him perform on the stage. With Michael you get real emotion, not
just clever emoting. There IS a difference and it is a difference that is crucial to the
success that Warner Bros. hopes to achieve with this film |
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